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"Where are you now, Mona?" asks Geoffrey, suddenly, laying his hand with a loving pressure on her shoulder. "In Afghanistan or Timbuctoo? Far from us, at least." There is a little vague reproach and uneasiness in his tone. "Mona, are you still there?" he says, with a return to consciousness: "did I dream, or did my father speak to me? How the night comes on!" He sighs wearily. "I am so tired,—so worn out: if I could only sleep!" he murmurs, faintly. "Put it on you," says Geoffrey..

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A very charming vision clad in Oxford shirting, and with a great white hat tied beneath her rounded chin with blue ribbons,—something in the style of a Sir Joshua Reynolds,—emerges from among the low-lying firs at this moment. Having watched the (seemingly) light catastrophe from afar, and being apparently amused by it, she now gives way to unmistakable mirth and laughs aloud. When Mona laughs, she does it with all her heart, the correct method of suppressing all emotion, be it of joy or sorrow,—regarding it as a recreation permitted only to the vulgar,—being as yet unlearned by her. Therefore her expression of merriment rings gayly and unchecked through the old wood. "I hope she isn't in love with you," she says, slowly. "There," he said, "go and take the flesh of those animals." Then the people tried to do so. They tried to tear the limbs apart, but they could not. They tried to bite pieces out of the bodies, but they could not do that. Old Man went to the edge of the cliff and broke some pieces of stone with sharp edges, and showed them how to cut the flesh with these. Of the buffalo that went over the cliff, some were not dead, but were hurt, so they could not run away. The people cut strips of green hide and tied stones in the middle, and with these hammers broke in the skulls of the buffalo and killed them. CHAPTER III..